视频简介
雷大力为了让儿子雷小米能够拥有更高的人生起点，在单亲妈妈刘真真的带领下，被迫卷入了“幼升小”的激烈角逐。又在火哥和火嫂的影响下，不惜倾尽所有购入学区房，重重压力让父子二人的生活变得不堪一击。雷小米小姨的出现，又让雷大力领悟了“拼娃”的本质是“拼父母”…… 面对残酷的现实，父子的生活困境应该如何破局？几组家庭又将做出怎样的人生抉择？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
